Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417. In Donatello’s work, St. George was carved with a confident posture. Sujet : épisode de la vie du Saint Georges (représenté en ronde bosse au-dessus), officier de l’armée romaine qui délivre la princesse Trébizonde et la ville d’un dragon [4], Saint George is sculptured as a young, brave, determined and strong man in armor. Numéro de conciergerie valable 5 min. They would have given the statue a bold appearance of metal on marble, and the sword would have projected forward, out of the niche, creating a very visible statement to all walking down the street in front of Orsanmichele. Image du landmark, course, europe - 106485380 Bronze à patine claire enrichie de réhaux de dorure.Figure hiératique symbole de force et de pureté,image de la chevalerie occidentale. Drill marks on his head indicate, that he probably also wore some kind of helmet or wreath. It appears that the niche in which the St. George sculpture was placed is shallower than all the others, because of the belfry stairs built in the thickness of the wall. Like the statue of St. Mark, the statue of St. George was destined for the guild’s niche in the building of Orsanmichele.. Because the guild was of average size, it could only afford a statue of marble, rather than of bronze. [5], There is a stone relief under the figure, that is displaying woman observing St George slaying the dragon in the middle. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. The spirit of standing strong against one’s enemies also seems to be reflected in the face of St. George. Thus, Florence was spared again from being the conquest of a more powerful foe. Product links above are affiliate links. Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). Bronze à patine claire enrichie de réhaux de dorure.Figure hiératique symbole de force et de pureté,image de la chevalerie occidentale. Donatello, Saint-Georges Tabernacle, 1415-1417, Museo Nazionale del Bargello, Florence. Marque du Fondeur Barbedienne. Saint Georges, Donatello (1386-1466), 1415-1417 Marbre, 209m de hauteur, Florence, Museo Nazionale del Bargello Avant-propos : En 1336, on érige un nouvel édifice, l’Orsanmichele, dès 1339 on prévoit de placer dans les niches des sculptures et on décide pour ces sculptures de faire appel à des corporations. This is a defensive posture. Georges, officier romain, vint à traverser Trébizonde, contrée terrorisée par un dragon exigeant un tribut quotidien de jeunes gens à dévorer ; le sort, ce jour-là, a désigné la princesse. The box base was added back onto the statue in 1976. Braun & C-ie. Around the year 1410, a different threat emerged from the south. Although Florence was a free Republic during this time, it faced threats by other cities who were more powerful than itself. Donatello (1383 ou 1386-1466), Saint Georges, statue qui ornait une niche de l'église Or San Michele à Florence (ici copie du XIXe siècle, e He stands tall with his shield in front of him that looks as if could rotate on its small base which touches the ground. Donatello (1904) (14595185477).jpg 1,270 × 2,904; 567 KB Saint Georges, le guerrier romain qui tua le dragon (+ 303) (27 mn) Martyrisé sous la persécution de Dioclétien. Instead, both legs are clearly supporting the saint’s weight, although the front of his left foot is not completely planted on the ground, but instead partially hangs off the front of the base. "A soldier saint in Renaissance Florence: Donatello's St George", https://en.wikipedia.org/w/index.php?title=Saint_George_(Donatello)&oldid=993748296, Creative Commons Attribution-ShareAlike License, This page was last edited on 12 December 2020, at 07:35. His right hand originally probably held some sort of a blade. Donatello, Le Prophète Habacuc / Lo Zuccone, 1423-1425, Museo dell'Opera del Duomo, Florence He turns his neck slightly to his left, his mouth is barely opened, and his pupils show a glance which is up and to his left, rather than directly in front of him. His right hand originally probably held some sort of a blade. Saint Georges et le dragon, prédelle en marbre de Donatello provenant du tabernacle abritant à Orsanmichele la statue de saint Georges, forme le cœur de la section : celle‐ci permettra d’observer côte à côte la technique donatellienne du « stiacciatto » et des œuvres contemporaines. SAINTS ET TÉMOINS DE L’ÉGLISE CATHOLIQUE Thus, St. George’s facial expression complements the posture of his body to create a memorable statement not only about this man in particular, but also about the Florentine spirit in general. Georges engage un combat acharné contre la bête qu'il transperce de sa lance et délivre ainsi la princesse. The saint's lore was well-known. Grande figure novatrice du Quattrocento, Donatello a laissé une œuvre pionnière en matière d’esthétique et de technique sculpturale qui a profondément marqué plusieurs générations d’artistes, notamment Michel-Ange. Photo à propos La statue représentant St George a sculpté par Donatello, sur la façade de l'église d'Orsanmichele à Florence. Donatello, St. George, c. 1410-1415, marble. Son culte se développa plus particulièrement en Europe, au retour des cr… Saint Georges Creator Donatello Country Italy Work Type Sculptures Sub-heading Free-Standing Notes carved in marble, originally located in a niche in the Church of Or San Michele around 1415 Accession LS012545 Originating Collection Caulfield McKnight Collection Slide Producer Projections de la Maison Ad. Donato di Niccolò di Betto Bardi, dit Donatello (Florence, v. 1386 - Florence, 13 décembre 1466), est un sculpteur florentin. His expression is one of intense concentration, reflected in his wrinkled brow. Donatello received the commission for the statue in 1416. Il est, selon Leon Battista Alberti, un des cinq rénovateurs de l'art de son époque avec Masaccio, Brunelleschi, Ghiberti et Luca Della Robbia. St George c. 1416 Marble, height 214 cm Museo Nazionale del Bargello, Florence "For the Armourers' Guild Donatello made a very spirited figure of St George in armour, expressing in the head of this saint the beauty of youth, courage and valour in arms, and a terrible ardour. He has for long been distinguished by the title of "The Great Martyr" and is one of the most popular saints to be represented in icons. le relief Saint-Georges libérant la princesse (Diversement aussi appelé Saint-Georges et le dragon ou Saint-Georges et la princesse) Est un travail de Donatello sur marbre Apuan (129x39 cm) à partir du fond de la niche dell 'Art de Corazzai et Spadai de Orsanmichele et maintenant conservé Musée du Bargello (L'extérieur est une copie). A wide range of devotions, traditions, and prayers to honor the saint have emerged throughout the centuries. Donatello carved his statue of St. George for the guild of armorers and swordmakers in Florence. Mar 21, 2015 - Saint Mark Artist Donatello Year 1411–1413 Medium Marble Location Orsanmichele, Florence Height 93 in (236 cm) Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes The Saint Mark statue created by Donatello is perhaps one of his most famous creations. Elle fait partie du cycle des quatorze statues des protecteurs des arts de Florence dans les niches externes de l'église d'Orsanmichele. Les sculptures de marbre de Donatello, David, Saint-Jean-Baptiste et Saint-Georges au Musée Palais du Bargello à Florence en Italie Saint Georges, Donatello (1386-1466), 1415-1417 Marbre, 209m de hauteur, Florence, Museo Nazionale del Bargello Avant-propos : En 1336, on érige un nouvel édifice, l’Orsanmichele, dès 1339 on prévoit de placer dans les niches des sculptures et on décide pour ces sculptures de faire appel à des corporations. It was carved from marble and placed near his statue of St. Mark on a niche of the church in Orsanmichele. Crédits : Bridgeman Images SAINT GEORGES: Adresse: DONATELLO, 11 RUE JACQUES DAGUERRE 92500 RUEIL-MALMAISON Téléphone: Afficher le téléphone Afficher le numéro. DONATELLO. He is standing in contrapposto, his right leg is turned to the same angle as his shield. Like the statue of St. Mark, the statue of St. George was destined for the guild’s niche in the building of Orsanmichele. A popular tale involving St. George defeating the dragon came to be known through the collection of stories called the Golden Legend (Legenda Aurea) in the late thirteenth century. St. George was a military hero who had fought to defend the Holy Land. Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. St. George was commissioned by the guild of the armorers and sword makers, the Arte dei Corazzai e Spadai. Marque du Fondeur Barbedienne. To enhance the look of the statue, the guild created special special adornments for it, which might have been put on display on special days of the year, such as the Feast of St. George. Drill marks on his head indicate, that he probably also wore some kind of helmet or wreath. He is standing in contrapposto, his right leg is turned to the same angle as his shield. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. This is a look of courage and resolve; this is a figure who will not back down. Il est, selon Leon Battista Alberti, un des cinq rénovateurs de l'art de son époque avec Masaccio, Brunelleschi, Ghiberti et Luca Della Robbia. These adornments would have included a sword, held in his right hand, a helmet, and a belt. This implies, at the very least, a sense of readiness on the part of the saint to quickly confront enemies coming from different directions. Even though he is fully clothed, there is still the sense of a muscular body underneath. Donatello (1383 ou 1386-1466), Saint Georges, statue qui ornait une niche de l'église Or San Michele à Florence (ici copie du XIX e siècle, et, Saint Georges et le dragon, bas-relief, marbres.Musée du Bargello, Florence. It is one of fourteen sculptures commissioned by the guilds of Florence[1] to decorate the external niches of the Orsanmichele church. Donatello excella également à rendre les plis des vêtements ou les motifs architecturaux, par exemple la Cantoria (balcon pour orgue) du Dôme. This is a site for information and analysis of the world of the Italian Renaissance. Links on this site are affiliate links. Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417. One of these cities was Milan, which had been led in 1402 by Gian Galeazzo Visconti to the doorstep of Florence. In order to save it, the statue was removed from its Tabernacle, and relocated to that of the … Standing … Read More →. If you would like to cite this page, please use this information: Michelangelo carved a number of works in Florence during his time with the Medici, but in the 1490s he left Florence and briefly went to Venice, … Read More →, The most famous section of the Sistine Chapel ceiling is Michelangelo's Creation of Adam. As early as 1628, the bronze colored paint which covered the statue was almost destroyed by weather. SAINT GEORGES DÉLIVRANT LA PRINCESSE. Schiacciato : relief écrasé – base de la statue – marbre. Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). His eyebrows are knit together and there are wrinkles in his forehead. [5], St Georges eyes are looking up and his face indicates some kind of anxiety and emotionality before attacking the dragon (as in the biblical story). Statue XIXe du Saint Georges de Florence réalisée en 1416 par Donatello(1386-1466). St. George ist eine Marmorskulptur von Donatello.Es ist eine von vierzehn Skulpturen, die von den Zünften von Florenz inAuftrag gegeben wurden, um die äußeren Nischen der Orsanmichele-Kirchezu schmücken. Service gratuit2,99€/appel + prix appel. This technique is called Stiacciato.[5]. Elle est visible au Musée national du Bargello de Florence. Statue XIXe du Saint Georges de Florence réalisée en 1416 par Donatello(1386-1466). Even though he is fully clothed, there is still the sense of a muscular body underneath. The reason for such a stance has been linked to political events surrounding Florence during the years leading up to the statue’s creation. Prix d'un appel local. Saint George is one of Christianity's most popular saints, and is highly honored by both the Western and Eastern Churches. Normand nous présente la fameuse histoire de la Légende du chevalier Saint Georges.Source:Ville de St-Georges [3] From 1892 to 2008 a bronze replica was placed in the original niche, to be replaced by a marble replica on 23 April 2008. A stone thrown at the sculpture in 1858 broke its nose,[2] and in 1892 Donatello's St. George was moved to the Bargello Museum in Florence. This piece was obviously meant to portray a youthful, courageous St. George, and few will dispute that Donatello's creation was anything but excellent. The closets objects are carved in relatively high relief, whereas the cave, the colonnade and the background trees are carved in low relief. It was a spirit that must have been shared by Florentines of the day on account of contemporary events, and Donatello used it as the source for the disposition of his statue. Donatello (1386-1466), sculpteur toscan de la Renaissance italienne. ItalianRenaissance.org, "Donatello’s St. George," in, Michelangelo’s Painting of the Sistine Chapel Ceiling, http://www.italianrenaissance.org/donatellos-st-george/. Saint Georges (San Giorgio) est une statue en marbre sculptée par Donatello vers 1415-1417.. Elle fait partie du cycle des quatorze statues des protecteurs des arts de Florence dans les niches externes de l'église d'Orsanmichele.Elle a été commandée par la corporation de l'arte dei Corazzai e Spadai. 1 : documentation sur les données de la commande. Unlike the statue of St. Mark, the statue of St. George does not stand in contrapposto. St George is a marble sculpture by Donatello. Donato di Niccolò di Betto Bardi, dit Donatello (Florence, v. 1386 - Florence, 13 décembre 1466), est un sculpteur florentin. Donatello carved his statue of St. George for the guild of armorers and swordmakers in Florence. FLORENCE. Do NOT follow this link or you will be banned from the site. Il était également reconnu pour sa représentation des sentiments humains, du courage de la jeunesse pour le David ou le Saint Georges (1416) à la contrition de la Madeleine pénitente (1454). St. George was the patron saint of the armorer’s guild and was known as a military figure, one who was well-known in the Byzantine East, but who was also known by the Crusaders who battled Muslim forces in the Holy Land. Saint George is sculptured as a young, brave, determined and strong man in armor. Because the guild was of average size, it could only afford a statue of marble, rather than of bronze.